Friday 29 April 2011
I mused from my seat that the audience was notably almost entirely elderly and white, despite the location of the Colston Hall in the centre of a city which is home to a wide variety of skin colours. This by no means suggests that there is a lack of interest from younger, ethnically broader generations. It means that they don't attend formal classical concerts. The seating was about two-thirds its capacity. It should have been full to overflowing for such an occasion. Why? No one knows. It has been established though that there is a clear phenomenon which I've read described as "culturally aware non-attenders". Those whose job it is to promote classical concerts are all too aware of this potential market and how immovable it seems to be.
Sunday 17 April 2011
Er... I just bought an electronic drum kit. Now for me this is a big deal. My first instrument was a set of drums. I learnt from it the possibilities of dexterity, hand/eye/foot coordination, syncopation and an appreciation for a thumping bass line and the subterranean ground this can place beneath a piece of music. I regret letting that first kit go.
My instinct tells me that, many years later, I haven't lost any of what I learnt from it. The rhythm machine stays in your body, simmering in the background like a constant hum that you don't notice after a while, but is there all the time. So, I'm excited about incorporating this new kit into my music making and having a ball in the process.
Friday 8 April 2011
The process seems to be like cooking. You can do it for others or for yourself hoping that others will enjoy the end result. You can use a recipe, a formula, but never quite know how it's going to turn out. Discovering what combinations work and what don't is a learning process. The music I'm cooking up is purely for my self; others may enjoy or dislike it but I really don't care about that.