Here's a question, "What characteristics are appropriate for a contemporary piece of music?" I know that anything goes, depending on time and circumstance, but I want to think through and identify what, in the context of today, can rightfully go into a new piece of music. For someone listening to a piece that I've written for the first time, I'd like them first to recognise it as new, that is, realise that it couldn't have been written in any earlier time, but also be responsive to what is in the music and feel comfortable with it.
Sunday, 4 August 2013
Every performer has to deal with nerves to one degree or another. There are a couple of myths that I've learnt about through experience. The first of these is that nerves reduce as you get older. The second is that the problem of nerves has a solution. Realising the first myth is simply a matter of experience and many performers find that, rather than abating, the opposite happens and nerves become worse with age. That's a simple fact; the second myth is more complex.